LE CORBUSIER BETON BRUT AND INEFFABLE SPACE PDF

Details This groundbreaking essay on Le Corbusier provides a new perspective that is based on exhaustive archival research and the study of neglected or completely unknown documents stored at the Fondation Le Corbusier. This source of documents has proven to be extremely valuable, with information on the aesthetic principles of Le Corbusier during the post World-War-II period, explaining his manner of defining the final artistic quality of the work directly at the construction site, as if he were dealing with a sculpture or tableau. The essay also delves into the project management and the construction of several buildings in the period In this volume, the associates, the enterprises, and even the masons become the actors of a complex creative process that Le Corbusier directs with mastery. All the forms of artistic expression that converge into what Le Corbusier defines as the espace indicible ineffable space are commented and documented, from the insertion of the basic materials such as the tapestries and paint in the qualification of these spaces, to the way in which photography is used to study the unexpressed potentialities of his own architecture and paintings.

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Subscribe to our newsletter , get our RSS feed or follow us on Twitter for details of future competitions. Here are some more details from the publishers: This groundbreaking essay on Le Corbusier provides a new perspective that is based on exhaustive archival research and the study of neglected or completely unknown documents stored at the Fondation Le Corbusier.

This source of documents has proven to be extremely valuable, with information on the aesthetic principles of Le Corbusier during the post World-War-II period, explaining his manner of defining the final artistic quality of the work directly at the construction site, as if he were dealing with a sculpture or tableau. The essay also delves into the project management and the construction of several buildings in the period In this volume, the associates, the enterprises, and even the masons become the actors of a complex creative process that Le Corbusier directs with mastery.

All the forms of artistic expression that converge into what Le Corbusier defines as the espace indicible ineffable space are commented and documented, from the insertion of the basic materials such as the tapestries and paint in the qualification of these spaces, to the way in which photography is used to study the unexpressed potentialities of his own architecture and paintings.

It is thus a new vision that the essay reveals about the last and fundamental works of Le Corbusier which have, paradoxically, been less studied than his earlier work. In this volume, the questions of optics, artistic vision, and the psychophysiology of perception are studied, at last, in parallel with the technical questions of the materials used in his various works.

This approach reveals the existence of a series of theoretical questions about the artistic process, ignored until now, that are shown to be indispensable for the complete understanding of the work of Le Corbusier during the period following World War II.

This essay, meticulously referenced with footnotes and richly illustrated with hundreds of document reproductions and photographs from the archives of the Fondation Le Corbusier, will be of interest to all those who wish to better understand the development of the architecture of the 20th century, in its deepest cultural context.

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