CRIME AND PUNISHMENT PEVEAR VOLOKHONSKY PDF

Editions Published to great acclaim and fierce controversy in , Fyodor Dostoevskys Crime and Punishment has left an indelible mark on global literature and our modern world, and is still known worldwide as the quintessential Russian novel. Readers of all backgrounds have debated its historical, cultural, and spiritual dimensions, probing the moral and ethical dilemmas that Dostoevsky so brilliantly stages throughout his narrative. Yet, at its heart, this masterpiece of literary realism is ultimately an immersive tale of passion and redemptionindeed, "the best of all murder stories" Harold Bloom , "most perfect in pacing and structure. There is no more gripping novel in the world" Michael Dirda.

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Pevear earned a B. In , he joined the faculty of the American University of Paris AUP , where he taught courses in Russian literature and translation. He is also the author of two books of poems The Night Talk, and Exchanges. Pevear is mostly known for his work in collaboration with Larissa Volokhonsky on translation of Russian classics. After graduating from Leningrad State University with a degree in mathematical linguistics, she worked in the Institute of Marine Biology Vladivostok and travelled extensively in Sakhalin Island and Kamchatka Volokhonsky emigrated to Israel in , where she lived for two years.

She completed her studies of theology with the diploma of Master of Divinity from Yale. She began collaboration with her husband Richard Pevear in Daniel Weissbort. Vol 10, Winter , Grand Street,Spring , ed. Ben Sonnenberg. Volokhonsky is mostly known for her work in collaboration with Richard Pevear on translation of Russian classics.

Collaboration[ edit ] Volokhonsky met Pevear in the United States in and they married six years later. As a result, the couple collaborated on their own version, producing three sample chapters which they sent to publishers.

The husband-and-wife team works in a two-step process: Volokhonsky prepares her English version of the original text, trying to follow Russian syntax and stylistic peculiarities as closely as possible, and Pevear turns this version into polished and stylistically appropriate English. Pevear has variously described their working process as follows: "Larissa goes over it, raising questions. And then we go over it again. I produce another version, which she reads against the original.

We go over it one more time, and then we read it twice more in proof. Larissa produces a complete draft, following the original as closely as possible, with many marginal comments and observations. From that, plus the original Russian, I make my own complete draft. It was a 3-part program called "In Other Words" and involved discussions with many leading translators.

The program was podcast in April Reception[ edit ] While Pevear and Volokhonsky have won awards for their translations and enjoyed success within the publishing industry, their work has not been without criticism.

Writing in The New York Review of Books in , the critic Janet Malcolm argued that Pevear and Volokhonsky "have established an industry of taking everything they can get their hands on written in Russian and putting it into flat, awkward English".

The Slavic studies scholar Gary Saul Morson has written in Commentary that Pevear and Volokhonsky translations "take glorious works and reduce them to awkward and unsightly muddles".

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Richard Pevear and Larissa Volokhonsky

Pevear earned a B. In , he joined the faculty of the American University of Paris AUP , where he taught courses in Russian literature and translation. He is also the author of two books of poems The Night Talk, and Exchanges. Pevear is mostly known for his work in collaboration with Larissa Volokhonsky on translation of Russian classics. After graduating from Leningrad State University with a degree in mathematical linguistics, she worked in the Institute of Marine Biology Vladivostok and travelled extensively in Sakhalin Island and Kamchatka

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Crime and Punishment

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